Mar 5
1.

飞起的比爱过的更长
绳子的圈
甩着重要的拌

走过一些蓝
养着岛

2.

电影圆  太极的放映
对着别人的故事


胶片跑过田径

3.

放学的爱堵塞交通
老师的缘
有如班车

对着她宿命的


4.

占线的女孩点燃灯
酒精搭梯子爬
泵的坡度

向着哭瞪
更哭

5.

到野外去野  到室内去适
这原则多么顺心
好比姑娘的爽

跟着上班的上
上到高层
Feb 12
一颗子弹的和尚
身着黄色袈裟
从祖国的枪膛出发
硝烟缭绕 香火旺盛

在革命中云游四方
有着爆炸的心
和呼啸而过的经文

弹夹的庙宇是他们的军校
因违反寺规
被扳机的方丈一一开除

他们行走江湖  一心向佛
奉行素食主义
匆匆穿过群众的肉体
击中蔬菜的靶标

在战争中讲道论禅
血口喷人
并溅出火药的唾沫

1998.6

Feb 5
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Beijing Zoological Garden 27min 3-channel video installation 2004

The Origin of Species Transparency in Lightbox 125x325x20cm 2006

Storm Model 5min single channel video installation 2005
Jan 31
树林在河边停下来
想着怎么过河
聚集在一起
呵气
周围下雪

树林想着课本上的方法
不行
树林很冷
风将树林的旧衣服
叠好放在脚下

树林在冰上看见自己
消瘦的脸
几只鸟停留成雀斑

树林无法点燃
无法阻挡松鼠
也无法砍伐自己造船
渡向对岸


1997.8

Dec 12
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Until Dec 9, Platform China

Lee Ambrozy

The video section of Ma Yongfeng’s solo exhibition Origin of the Species captures animals in Beijing Zoo as they fidget behind bars – framing pandas, flamingos and monkeys in a circular frame evocative of Song dynasty art. They are restless yet cuddly, anxious but resigned to their containment. Taking in Ma’s pacing animals from the hard bench in the dark, cavernous exhibition space, the word “cagey” takes on a new meaning.

The second section is a subtle amalgam of media – hand-painted walls and trees, and digitally manipulated elements – resulting in enormous prints of what look like zoo “habitats.”

Conceptual photography has been foundering recently in Beijing, and Ma’s exhibition succeeds as more than tedious social commentary that equates the human condition with animal captivity. Masterfully done, Ma’s work is indistinguishable from reality. Though at first their value seems dubious, the virtue lies in how they deconstruct the art viewing experience. They come alive the moment you stand before them and wonder if the absent animal is really you.
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