CV

Ma Yongfeng

Currently lives and works in Berlin

Selected Solo Exhibitions

2025  Everything That Rises Must Converge, Juraplatz, Biel, Switzerland

2014  Suspending, Jiali Gallery,Beijing

2013  Everything That Rises Must Converge, Organhaus, Chongqing

2012   INVEST IN CONTRADICTION, Social Sensibility Research & Development   

      Program, Bernard Controls

      Performance pubblica "Micro Resistance" , Piazza Verdi, Bologna, Italy

2007  The Cretaceous Period, Artsway, Hampshire, UK

2006  Becoming Landscape , Platform China Contemporary Art Institute, Beijing

Selected Group Exhibitions

2024

Invisible Networks, Moos Space, Berlin

Anarchic Art Practices in China under AI Socialism, TIER-The Institute for Endemic Research, Berlin

Recommonizing Cyberspace, c-base, Berlin

Video, Sound and Performance, Molt + OHM, Berlin

2023

No one is an Island, Niemand its eine Insel, Halle 6, Munich

examples to follow! expeditions in aesthetics and sustainability, Berlin Uferhallen

2022

No-mad. Rooted in becoming, International Video Art Festival, Konzepthaus Laboratorium, Thun, Switzerland

2020

examples to follow! expeditions in aesthetics and sustainability, Museum on the Seam Jerusalem & Pyramida Art Center Haifa

2019

Reverberation from Crystallised Revolution, tête, Berlin

China Boom!! LiTE-HAUS and Pantocrátor, Berlin

examples to follow! expeditions in aesthetics and sustainability, Gallery Waidspeicher and Kulturhof at Güldenen Krönbacken, Erfurt, Germany

Light Year 41: Ephemeral Movements, Manhattan Bridge, New York

30 Years – Looking Back to the Red Tiananmen, tête, Berlin

Berlin Perspectives, coGalleries, Berlin

On The Road 2019, Guanshanyue Art Museum, Shenzhen

2018

examples to follow! expeditions in aesthetics and sustainability, Ehemalige Volkshochschule, Bonn, Germany

Mitte Media Festival 2018, Fata Morgana/coGalleries, Berlin

Babel VII, Babelsbergerstr. 52

a burning giraffe, coGalleries, Berlin

Ethical Principle and Assembly Zone in Social Intervention, Cache Space, Beijing

Ephemeral Movements, Light Year, New York

2017

Precariat’s Meeting, McaM Ming Contemporary Art Museum, Shanghai

Zone of Collaboration, Shenzhen Central Park

Unknown Future, NIU Art Space,Shijiazhuang,Hebei

Gaze at Hong Kong, Big Space

You Really Know Where You Are. For the First Time in History, Unicorn Center for Art,Beijing

Partial Archive,Yell Space, Shanghai

Independent Art Spaces 2017, I:Project Space, Beijing

2016

Hypertext, 1House, Beijing

Residents:Recruitment, Boxes Art Space,Shenzhen

The Politics of Display: Curating and its Public - Curators in China Speak About Their Practice, I: project space, Yellow Mountain Foundation and CAFA Art Museum

It is exactly as if it had never happened, Alternative Culture Making Space,Shenzhen & 1House,Beijing

TO GAZE & TO DETACH, 1House,Beijing

On Camera: Chinese Experimental Video, AMNUA, Nanjing

2015

Temporary Residence Permit, Unicorn Centre for Art, Beijing

TEMPORARY BOUNDARY - A survey on China censured videos and photographs, Galerie Paris-Beijing, Brussels, Belgium

Live At Intelligentsia Gallery, Beijing

The 1st Edition of Changjiang International Photography & Video Biennale, Changjiang Contemporary Art Museum, Chongqing

examples to follow! expeditions in aesthetics and sustainability, rauchmuseum, Freudenberg am Main, Germany

Consciousness and Reconstruction-from Yan’an Woodcarving to Anonymous Practices,  Xi’an Art Museum

ENOUGH OF ART, FUCK ART, espace Cinko, Paris

2014

Conforming to Vicinity-A Cross-strait four-region Artistic Exchange Project 2014, He Xiangning Art Museum; University Museum and Art Gallery, The University of Hong Kong ; Macao Museum of Art; Pingtung Art Museum

¡Ejemplos a seguir! expediciones en estética y sostenibilidad, Galeria Ignacio Merino, Museo Metropolitano Lima

examples to follow! expeditions in aesthetics and sustainability, Zeche Zollverein in Essen, Germany

2013

examples to follow! expeditions in aesthetics and sustainability, Memorial da América Latina
& Galeria Marta Traba, Sao Paulo, Brazil & Capilla del Arte UDLAP, Puebla, Mexico

Atypical, Gallery Beijing Space

Strolling in Heiqiao at Night, Beijing

All Can Be Meat, All Can Be Eaten, Songzhuang Art Festival

14th Open International Performance Festival, Space Station

SAYIZHENG, Rundeli Market

2012

WO BU SHUFU / I'M NOT SO WELL / NON MI SENTO TANTO BENE, Nowhere Gallery, Milano, Italy

Virtual Voices: Approaching Social Media and Art in China, Charles H. Scott Gallery, Emily Carr University of Art + Design, Vancouver, Canada

examples to follow! expeditions in aesthetics and sustainability, Iberia Center for Contemporary Art, Beijing 

Conscious Folly, am art space, Shanghai

2011

Not Only A Taoist Troublemaker, Za.project, Beijing

GLOBAL HOUSE, kunsthalle gwangju & Spinnerei Leipzig

ALIBI, Linda Gallery, Beijing

THE THIRD PARTY – An exhibition in Three Acts Act 3: "THE THIRD PARTY – A GROUP CELEBRATION!"  Platform China,Beijing

Memory_Identity, MK2 Art Space, Beijing

The Folded Plane, Mingyuan Art Center, Shanghai

2010

Dongxi-Things, Kunstverein Baden, Vienna, Austria

Flower of Chaos, Veneto Videoart Archive & ArtVerona, Italy

No Soul For Sale - Festival of Independents, Tate Modern

Get It Louder, Sanlitun SOHO, Beijing & 800 Show, Shanghai

Future Vision - The APT Global Art Collection, Li Space, Beijing

Two Sides of the Same Coin - Project Infrasound Round II, Pure Art Space

2009

Blank Screen, re-C Art Space, Chengdu

Express Through Images, Pure Space, Beijing

Crossing Landscapes the environment in international video art, Fondazione Sandretto re Rebaudengo, Turin, Italy

2008

Digital Safari: International 'New Media' Exhibition,The Art Gallery at Cleveland State University

Digital Passages: Journey Beyond Reality's Threshold,Yuanfen New Media Art Space,Beijing

The Evolution of Concept:Ten Years’ Retrospection & Expection of Chinese Conceptual Photography,798 Times Space,Beijing

2007

The Thirteen: Chinese Video Now, John Hansard Gallery, University of Southampton, UK

Dragon’s Evolution, ChinaSquare Art Center, New York

Rejected Collection, Ke Center for Contemporary Arts, Shanghai

FESTIVAL de Performance Pasage de la Paz, Off*Ample, Barcelona, Spain

2006

The Thirteen: Chinese Video Now, P.S.1 Contemporary Art Center at MOMA, New York &

Platform China Contemporary Art Institute, Beijing

Ruins: New Photography and Video from China at Inova

Peck School of the Arts, University of Wisconsin-Milwaukee, USA

VideoZone3: The 3rd International Video-Art Biennial in Israel, The Center for Contemporary Art,Tel Aviv, Israel

2005

China Action 1-2, Centre chorégraphique national de Tours, France
Videonale 10 , Kunstmuseum Bonn, Germany

2004

How Can You Resist? Museum of Contemporary Art, Los Angeles

2003

Videobrasil :The 14th International Electronic Art Festival, SaoPaulo

Bare Androgyny, Beijing

Art Focus 4, International Biennial of Contemporary Art, Underground Prisoner’s Museum, Jerusalem, Israel

Grants, Awards & Fellowships

“PRODUCTION” Residency Scheme, Chinese Arts Centre & ArtSway, UK

Peck School of the Arts, University of Wisconsin-Milwaukee, USA

14th Annual Asian Artists Fellowship, VSC Freeman Foundation, USA

Residency & Visiting Artist Program

School of the Art Institute of Chicago, USA

Peck School of the Arts, University of Wisconsin-Milwaukee, USA

Chinese Arts Centre, Manchester, UK

ArtSway, Hampshire, UK

Vermont Studio Center, USA

The Arts Institute at Bournemouth,UK

Next Wave Festival 2012, Melbourne, Australia

Bibliography

Selected Bibliography

 2008

Ronnie Lee, Pulse of New Media, Sep 25 2008,City Weekend

Douglas Max Utter, Found Horizons, Volume 15, Issue 73,Published October 2, 2008,The Cleveland Free Times

Digital Passages: Journey Beyond Reality's Threshold, page122-123, Sep 2008, Art Map; page 44,Sep 4-17,Time Out Beijing

Weng Zhijuan, Disorientation II, preface, 3.8-4.8,2008, Fun Art Space

2007 

Dan Smith, Ma Yongfeng: The Cretaceous Period, page 28-29, October 2007, Art Monthly

Ma Yongfeng: The Cretaceous Period, page 10,September 2007, a-n Magazine

Robert Clark, Ma Yongfeng And Joel Papps, August 11-17, 2007,The Guardian

Katie Stilp, UWGB art exhibit comments on emerging China, March 9,UW Green Bay Press-Gazette

Jes Randrup Nielsen, Millionerne ruller, 15.marts 2007,MORGENAVISEN Jyllands-Posten

David Thorp, Chinese Video Now, catalogue published by John Hansard Gallery , University of Southampton and Platform China , Beijing

Maya Kóvskaya, China Under Construction: Contemporary Art from the People's Republic, page9 -12,catalogue published by Deborah Colton Gallery, Houston,USA

FESTIVAL de Performance Pasage de la Paz, Off*Ample, Barcelona, Spain

 2006 

Weng Zhijuan, Representing Evolutional Trace, page 215, December 2006, ARTCO

Lee Ambrozy, Art Review: Becoming Landscape, Ma Yongfeng, page 43, December 2006, That’s Beijing

Maya Kóvskaya, Put Nature in its Place, November-December 2006, NY Arts Magazine

Ben Davis, Thirteen Uneasy Pieces, Artnet Magazine

Thomas J. Berghuis, Video Real - Recent Chinese Video Art, VideoZone3: The 3rd International Video-Art Biennial in Israel, 11.29-12.4,2006, The Center for Contemporary Art,Tel Aviv, Israel

Andrea Donderi, Thirteen:Review of Chinese mutimedia art show in New York, June 8, 2006

Zhang Zhaohui, Ruins: New Photography and Video from China at Inova, March 15, 2006, Peck School of the Arts, University of Wisconsin-Milwaukee, USA

 2005

Kunst - Aktien fürs Wohnzimmer? Sonderschau und Katalog zur Art Frankfurt, 9 May 2005

Andreas Denk, Die Entdeckung Der Inneren Realität, page 407, Juni-August, 2005, Kunstforum International

Käthe Brandt, Videokunst wird museal, May 7, 2005, Die Tageszeitung

Videonale 10, page 125, 2005, Kunstmuseum Bonn

David Kidman, China Action 1-2, Centre chorégraphique national de Tours, France

 2004 

Holly Willis, In the Fast Lane, Nov 5-11, 2004, LA Weekly                                        

Isabel Saij and Francis Wittenberger, Isabel Saij interviews Francis Wittenberger, who curated and managed the Media Art Festival 2004, (MAF04) in Bangkok, Thailand, June 07, 2004, Netart Review

 2003 

Ingrid Commandeur, Beijing standing. The art of urban guerrilla tactics, No.3, 2003, Metropolis M

Sergio Edelstein, Art Focus 4 :International Biennial of Contemporary Art, Underground Prisoner’s Museum, Jerusalem, Israel, page 85-86, 2003

Articles, Essays & Interviews

Articles

2015

Edward Sanderson, Interventionist Curatorial and Display Practices in Beijing, Volume 4 Number 1,2015,

Journal of Curatorial Studies

2014

FREE THOUGHT, FREE EXPRESSION AND INDIVIDUALITY IN BEIJING´S STREET ART

Ma Yongfeng, Guerrilla Intervention – The art practice of Ma Yongfeng, Feb. 18, 2014, AIDD

Iona Whittaker, On "Suspending": Ma Yongfeng, March 24, 2014, Randian

2013

Edward Sanderson, Bazaar Art: 100 Favorite Artworks of 2012, Jan.2013, Bazaar Art

2012

An Xiao,Four Artists in Asia I'm Watching in 2012,January 18, 2012, Hyperallergic

Carlyn Aguilar, China Topical: Street Art Oppressed, Oct.22, 2012, KCET

2011

New Media Art

Edward Sanderson, Ma Yongfeng's The Swirl 2002, Voiceover Text, Fall 2011, ASPECT:The Chronicle of

2010

Duan Lingyu, Ma Yongfeng talks about "Forget Art", July, 2010, ARTFORUM

2007

Dan Smith, Ma Yongfeng: The Cretaceous Period, page 28-29, October 2007, Art Monthly

Robert Clark, Ma Yongfeng And Joel Papps, August 11-17, 2007, The Guardian

Ma Yongfeng: The Cretaceous Period, page 10, September 2007, a-n Magazine

2006

Weng Zhijuan, Representing Evolutional Trace, page 215, December 2006, ARTCO

Maya Kóvskaya, Put Nature in its Place, November-December 2006, NY Arts Magazine

Lee Ambrozy, Art Review: Becoming Landscape, Ma Yongfeng, page 43, December 2006, That's Beijing

Essays

Ma Yongfeng: Becoming Landscape by David Thorp

Putting Nature in its Place: Ma Yongfeng's Video Art and Photography by Maya Kóvskaya

Animalism and Transitions of Human Culture in the Work of Ma Yongfeng by Thomas J. Berghuis

Art Review: Becoming Landscape by Lee Ambrozy

Ma Yongfeng: The Cretaceous Period by Dan Smith

Emergence by Alessandro Rolandi

⻢永峰:⽣成景观 ⽂/ David Thorp

再现演化痕迹:⻢永峰的艺术进化论 ⽂/ 翁志娟

浮现 ⽂/ 李⼭

被拓展的边界 ⽂/ 倪昆

Interviews

forget art: Interview with Ma Yongfeng

从“重构的场景”到极少主义的⼲预: ⻢永峰的艺术观念

与⻢永峰对谈 "forget art",及其他

为什么要 forget art?

⻢永峰:忘记艺术再搞艺术

此在,艺术与⽣存共谋

通过“夸张”的社会实践来接近实质 - ⻢永峰谈“forget art”

不断拓展的边界 - 对话⻢永峰